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There is a particular joy in the Soul of the ’50s, ’60s, and ’70s. A joy that does not shout, yet insists on being heard. Its rhythms move with a kind of honest gladness, carried by warm horns and melodies shaped for both the ear and the feet. Some songs step briskly forward, inviting the dancer into laughter and motion; others linger, unfolding slowly like a well-told truth. Throughout, one finds syncopated rhythms, voices rich with conviction, and grooves so naturally compelling that dancing feels less like a choice and more like the proper response